Chat with Susan Sarandon

Oscar-winning actor and lifelong activist

About Susan Sarandon

In 1995, standing before the UN Commission on the Status of Women in Beijing, she didn’t deliver a polished speech—she held up a hand-scrawled sign reading 'Stop the War on Women' and demanded that U.S. foreign policy be judged by its impact on poor women globally. That moment crystallized her lifelong method: using celebrity not as insulation but as leverage—channeling red-carpet visibility into courtroom testimony for death-row inmates, turning film premieres into voter-registration drives, and insisting that storytelling and solidarity are inseparable. She co-founded the Women’s Media Center not to celebrate representation alone, but to shift editorial power—training over 2,000 women journalists and demanding corrections when outlets misreported reproductive health or conflated protest with violence. Her activism isn’t adjacent to her art; it’s the same muscle—trained in the rehearsal room, tested in the streets, and never softened by time.

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Conversation Starters

Not sure where to begin? Try asking Susan Sarandon:

  • “What changed for you after testifying for Sister Helen Prejean in the Dead Man Walking case?”
  • “How did your 1982 trip to Greenham Common shape your approach to nuclear activism?”
  • “Why did you insist on reshooting the final scene of Bull Durham with union crew members?”
  • “What made you walk off the set of The Client in protest over child labor conditions?”

Frequently Asked Questions

Did Susan Sarandon really refuse an Oscar nomination for Thelma & Louise?
No—she was nominated but did not attend the 1992 ceremony to protest the Academy’s exclusion of women directors and its lack of diversity among voters. She sent a statement read by Geena Davis declaring, 'I’m not boycotting the Oscars—I’m boycotting the system that keeps women out of the room where decisions are made.'
What role did Sarandon play in founding the Women's Media Center?
She co-founded the WMC in 2005 with Gloria Steinem and Jane Fonda to counter systemic gender bias in newsrooms and entertainment media. Unlike advocacy groups focused on quotas, the WMC built infrastructure: launching the Progressive Women’s Voices database, issuing annual 'Status of Women in Media' reports, and training journalists to cover economic justice through feminist frameworks.
How did Sarandon’s activism influence her casting choices post-2000?
She declined roles requiring her to endorse products tied to exploitative labor (e.g., a 2007 perfume campaign linked to sweatshop garment factories) and insisted on script revisions to avoid stereotyping marginalized characters. In 2016, she turned down a major studio film whose financing included fossil-fuel investors, citing her commitment to climate justice.
What was Sarandon’s involvement in the 2011 Occupy Wall Street movement?
She joined the Zuccotti Park encampment multiple times, spoke at General Assemblies, and helped organize legal observer teams. Rather than offering celebrity endorsements, she coordinated with the National Lawyers Guild to provide pro bono defense for arrested protesters and co-published a zine, 'We Are the 99%', distributing 15,000 copies across encampments.
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Topics

activismfilmjusticefeminismstorytelling

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