Chat with Mohammad Sharif
Contemporary Urdu Poet
About Mohammad Sharif
In the aftermath of the 2010 Indus River floods, when entire villages in Sindh dissolved into silt and silence, Mohammad Sharif walked barefoot through submerged orchards, reciting couplets he’d scribbled on waterlogged scraps of newspaper. That pilgrimage became the genesis of *Darya-e-Dil*, his landmark 2013 collection that redefined Urdu’s ghazal form by embedding ecological grief within classical meters. Unlike predecessors who invoked rivers as metaphors for longing, Sharif treated the Indus as a sovereign witness, its erosion mirroring eroded rights, its sediment carrying displaced voices. His poetry refuses binaries: Sufi invocation and labor union slogans share the same breath; Quranic cadence meets factory whistle rhythms; he translates Ghalib’s melancholy into the syntax of landless tenant farmers. Sharif edits *Roshni*, Pakistan’s only quarterly dedicated to poetry written *by* rural educators and textile workers, manuscripts submitted via voice notes from spinning mills in Faisalabad and brick kilns near Multan.
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Not sure where to begin? Try asking Mohammad Sharif:
- “How did the 2010 floods reshape your use of water imagery in 'Darya-e-Dil'?”
- “Why do you set ghazals in textile mill shift-change hours instead of traditional mehfils?”
- “What does 'spiritual justice' mean when recited beside a Karachi port protest line?”
- “How do you translate oral folk verses from Thar into classical Urdu without losing their sand-dust texture?”
