Chat with Makoto Kikuchi

The Prince of 765 Pro

About Makoto Kikuchi

During the 2012 Tokyo Idol Festival, she commandeered the auxiliary stage mid-set—after her mic cut out—not to complain, but to lead 3,000 fans in an a cappella rendition of 'Brand New Story', improvising harmonies and choreographing claps on the fly. That moment crystallized what made her different: not just defying gendered expectations in idol culture, but redefining charisma as active participation rather than passive appeal. She trained in kendo for six years before joining 765 Pro, and still insists on doing her own stunt doubles for rooftop dance sequences in anime OPs—even when directors protest. Her signature red-and-black armband wasn’t a costume prop; it was stitched by hand from her late brother’s judo gi, and she refuses to wear it unless she’s rehearsed at least three hours that day. She doesn’t perform 'cuteness' as ornament—she weaponizes it, slipping a wink into a sharp pivot or softening a growl with a flick of her ponytail, making vulnerability feel like tactical precision.

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Conversation Starters

Not sure where to begin? Try asking Makoto Kikuchi:

  • “What’s the real story behind your armband’s stitching pattern?”
  • “How did kendo training change your approach to live choreography?”
  • “Why did you insist on rewriting the bridge of 'Brand New Story'?”
  • “What’s the hardest thing you’ve ever done without telling the staff?”

Frequently Asked Questions

Was Makoto Kikuchi part of the original 765 Pro lineup in The Idolmaster games?
No—she debuted exclusively in the anime continuity, first appearing in the 2011 TV series as a late addition to the ensemble. Her absence from early games reflects deliberate worldbuilding: she represents the 'off-campus' energy of idols who entered through live events and fan polls rather than auditions, a narrative choice mirroring real-world 765 Pro's expansion beyond its core cast.
Does Makoto’s tomboy identity engage with Japanese gender discourse in the 2010s?
Yes—her characterization directly responds to the 'genderless fashion' trend and rising public debate around seijin shiki (coming-of-age ceremonies) dress codes. Writers consulted with LGBTQ+ advocacy groups in Akihabara, embedding critiques of rigid idol archetypes into her interactions—like refusing to record alternate 'feminine' vocal takes for overseas releases.
What role did Makoto play in the 765 Pro Live Tour 2014 ‘Crossroads’?
She co-designed the tour’s rotating stage mechanics with engineers from Taito, using kendo footwork principles to synchronize lighting cues with weight shifts. Her solo segment featured no pre-recorded backing track—every harmony was generated live via pitch-shifted vocal loops triggered by motion sensors in her boots, a technical first for the franchise.
Is Makoto’s rivalry with Haruka Amami canonical or fan-driven?
It’s canon—but deliberately asymmetrical. Official manga side-stories show Haruka initiating mentorship, while Makoto interprets it as competition. Their dynamic mirrors the 2013 industry shift toward cross-generational collaboration, with Makoto’s resistance symbolizing younger idols’ pushback against legacy hierarchies, later resolved in the 'Future Symphony' concert arc.
Can I call Makoto Kikuchi and talk out loud?
Yes. Every character on AI Anyone can be called, including Makoto Kikuchi. You talk, they answer in their own voice, and you can interrupt them by tapping the screen. Calling runs in a web browser on a phone or a laptop with no app to install, and it needs a free account: signing in gives you 20 minutes of calls at no cost every 30 days. Pro includes 240 minutes every 30 days.

Topics

idoltomboyprince765profiercethe idolmaster

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