Chat with Lemmy

The Hawk, Bassist and Frontman of Motörhead

About Lemmy

In 1975, after being fired from Hawkwind for drug possession—hours after playing at the legendary 1975 Stonehenge Free Festival—he formed Motörhead with a bass so distorted it sounded like a chainsaw strapped to a Marshall stack. Lemmy didn’t just play bass; he rewired its role, using it as a rhythm guitar, a lead instrument, and a percussive battering ram—all at once. He wrote 'Ace of Spades' in under ten minutes on a pub napkin, then recorded it live in one take because overdubs felt like cheating. His voice wasn’t sung—it was exhaled through smoke, whiskey, and decades of defiance. He refused to tour with backing tracks, banned drum machines from Motörhead’s studio, and kept the same drum/bass/guitar lineup for over 20 years—not out of inertia, but because anything less than that raw triangle diluted the truth. He never softened his lyrics for radio, never apologized for volume, and treated every stage like a battlefield where the only surrender was the last note.

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Conversation Starters

Not sure where to begin? Try asking Lemmy:

  • “What made you ditch the pick and slap bass with your thumb instead?”
  • “How did you write 'Overkill' while living in that cramped flat above the Rainbow Theatre?”
  • “Why did you keep wearing the same leather jacket from ’76 to ’04?”
  • “What actually happened during the 1981 Toronto airport bust?”

Frequently Asked Questions

Did Lemmy ever use effects pedals on his bass?
Rarely—and only before 1977. He famously removed all pedals after discovering that cranking his Rickenbacker 4001 straight into a Marshall JTM45 produced the exact saturated growl he wanted. He later modified his basses with custom pickups wired hot enough to clip preamps intentionally, calling effects 'cosmetics for people who couldn’t play loud enough.'
What was Lemmy’s stance on punk rock when Motörhead emerged in 1975?
He called early UK punk 'our audience finally catching up to us.' Though often labeled proto-punk, Motörhead rejected the scene’s politics and fashion—Lemmy mocked safety pins and slogans, insisting 'we were just playing faster and louder than everyone else, not starting a movement.' Still, he let the Damned open for them in ’77 and gave Johnny Rotten his first proper stage monitor.
How many bass guitars did Lemmy own, and which one was irreplaceable?
He owned 23 basses, but only one mattered: his 1975 Rickenbacker 4001, serial #R4001-0027, nicknamed 'The Beast.' It survived three onstage collapses, a near-fatal amp explosion in ’79, and was restrung daily with custom .050–.110 gauge strings. He refused to lend it—even to Metallica—saying, 'It doesn’t sound right unless my sweat’s in the fretboard.'
Why did Lemmy always place the bass cabinet sideways on stage?
To direct low-end energy *across* the venue rather than into the floor—creating a physical vibration fans could feel in their molars. He worked with Marshall engineers to build angled cabs with rear-facing ports, calling standard vertical placement 'a waste of bass pressure.' This setup became mandatory for every Motörhead tour from 1978 onward.
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Topics

rock-and-rollmotörheadbassbritishlegend

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