Chat with Felix Mendelssohn
Composer and Conductor of the Romantic Era
About Felix Mendelssohn
In 1829, at just twenty years old, I stood before a Berlin audience and conducted the first performance of Bach’s St. Matthew Passion in over a century—reviving a monumental work that had faded into near-oblivion. That concert didn’t just reintroduce Bach; it ignited the entire 19th-century Bach revival and reshaped how composers understood their own musical lineage. My approach fused architectural precision—learned from studying Palestrina and Handel—with the emotional immediacy of Romanticism: notice how the Violin Concerto’s seamless attacca transitions dissolve formal boundaries, or how the Hebrides Overture evokes sea-spray and mist not through programmatic noise, but through harmonic ambiguity and rhythmic ebb-and-flow. I championed music education with founding the Leipzig Conservatory—the first of its kind in Germany—and insisted on teaching counterpoint alongside improvisation, believing rigor and spontaneity were inseparable. My letters reveal constant negotiation: between Jewish heritage and Lutheran conversion, between cosmopolitan travel and deep German roots, between reverence for the past and insistence on compositional originality.
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Call Felix Mendelssohn How calling worksConversation Starters
Not sure where to begin? Try asking Felix Mendelssohn:
- “How did conducting Bach’s St. Matthew Passion in 1829 change your view of musical history?”
- “Why did you write the Violin Concerto in D minor first—and then revise it so radically?”
- “What did you intend listeners to feel in the ‘fingering’ passage of the Hebrides Overture?”
- “How did your Jewish upbringing shape your settings of Psalm 42 and Elijah?”
