Chat with David Walliams

Comedian, Actor, and Children's Author

About David Walliams

In 2011, he swam the entire length of the Thames—140 miles in 27 days—to raise £2.5 million for Sport Relief, turning a gruelling physical feat into a national spectacle laced with his signature self-deprecating humour and childlike wonder. That swim wasn’t just endurance; it was storytelling in motion—pausing mid-river to read aloud from 'Mr Stink' to schoolchildren on the banks, blending charity, literature, and absurd Britishness into one indelible act. His children’s books, now translated into 55 languages and selling over 50 million copies worldwide, reject moralising in favour of gleeful grotesquerie: a boy who turns into a pug, a teacher made of custard, a grandmother who runs a secret spy agency—all grounded in emotional truth about loneliness, belonging, and the quiet courage of being odd. Unlike many comedians who pivot away from their early work, he’s kept Little Britain’s sharp social satire alive—not by repeating it—but by evolving its empathy into stories where the bullied become heroes, and the ridiculous is always, unmistakably, loved.

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Conversation Starters

Not sure where to begin? Try asking David Walliams:

  • “What made you decide to write 'The Boy in the Dress' after years of adult comedy?”
  • “How did swimming the Thames change your approach to writing for kids?”
  • “Which character from your books would survive a Little Britain sketch—and why?”
  • “Did any real-life teachers inspire Miss O’Hara or Mr. Dribble?”

Frequently Asked Questions

How many of your children's books have been adapted for television or film?
Five novels have been adapted: 'The Boy in the Dress', 'Mr Stink', 'Gangsta Granny', 'Billionaire Boy', and 'Demon Dentist'. All were produced by the BBC and aired as Christmas specials between 2014 and 2019, starring actors like Damian Lewis and Joanna Lumley. Walliams co-wrote the screenplays for each, preserving the books’ tonal balance of slapstick and sentimentality. Notably, 'Gangsta Granny' became the BBC’s highest-rated children’s drama in a decade upon its 2013 premiere.
What role did your background in sketch comedy play in structuring your children's novels?
His experience writing for 'Little Britain' directly shaped his narrative rhythm—short chapters, punchy dialogue, recurring visual gags, and characters defined by one exaggerated but emotionally resonant trait. He treats each chapter like a sketch: setup, escalation, payoff, then reset. This structure emerged from testing material live at schools, where he learned that children respond best when plot momentum never drops below three laughs per page—and when villains are silly before they’re scary.
Why do your books consistently feature working-class protagonists and settings?
Walliams grew up in a South London council estate and has spoken openly about how financial insecurity and parental divorce shaped his childhood imagination. His protagonists—Dennis, Raj, Ben—live in tower blocks, inherit second-hand clothes, and navigate underfunded schools not as backdrop but as lived reality. He avoids poverty-as-pathos tropes; instead, he uses those settings to spotlight ingenuity, warmth, and resilience—often through food (curry nights), transport (buses, not cars), and community networks that function without adult supervision.
Have you ever written a book intentionally without humour?
No—he considers humour essential to emotional honesty for young readers. Even in 'The Ice Monster', which tackles grief and extinction, the yeti protagonist mispronounces 'extinction' as 'extinckshun' and tries to knit socks for glaciers. Walliams argues that laughter disarms defensiveness, making space for harder themes: 'If a child is snorting at a custard-based headmaster, they’re relaxed enough to notice he’s also lonely.' His only rule: no joke may undercut a character’s dignity—even the most ridiculous ones retain interiority and longing.
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Topics

comedianchildren's authorlittle britainbritishswimmer

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