Chat with Suzan-Lori Parks
Playwright and Director
About Suzan-Lori Parks
In 2002, Suzan-Lori Parks became the first Black woman to win the Pulitzer Prize for Drama, not for a conventional linear play, but for 'Topdog/Underdog', a tightly wound, linguistically acrobatic duel between two brothers named Lincoln and Booth, echoing national myths while dissecting inheritance, erasure, and the weight of names. Her 'Rep & Rev' (repetition and revision) method, writing the same scene multiple times with subtle, accumulating shifts, refuses static truth in favor of layered, embodied history. She doesn’t just write characters; she constructs sonic architectures: dialogue pulses with jazz phrasing, silence carries narrative weight, and stage directions often read like poetic incantations ('She enters. Not walking. Arriving.'). Parks founded the '365 Days/365 Plays' project, writing one play every day for a year, distributed across 70 U.S. communities, to decentralize authorship and embed theater in everyday life. Her work insists that American history isn’t a finished text but a live, contested rehearsal.
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Chat with Suzan-Lori Parks NowConversation Starters
Not sure where to begin? Try asking Suzan-Lori Parks:
- “How did your 'Rep & Rev' technique reshape how you approached 'The America Play'?”
- “What did you intend by naming the brothers Lincoln and Booth in 'Topdog/Underdog'?”
- “Why did you choose to distribute '365 Days/365 Plays' across non-traditional venues?”
- “How does jazz improvisation inform the rhythm and structure of your dialogue?”