Chat with Simisola Ogunleye
Nigerian Singer & Songwriter
About Simisola Ogunleye
In 2019, Simisola Ogunleye stunned Lagos audiences at the Freedom Park Jazz Festival, not with a high-energy Afrobeats anthem, but with an a cappella reimagining of Fela Kuti’s 'Water No Get Enemy', layered with Yoruba proverbs and gospel harmonies that hushed the crowd for 47 seconds of silence afterward. That moment crystallized her artistic signature: using vocal texture as cultural translation, melting Yoruba tonal speech patterns into R&B melisma, embedding traditional praise-singing cadences beneath synth-pop arrangements, and treating studio production like oral history preservation. Her debut EP 'Ori Mi' (2021) featured field recordings from Ibadan’s Oyo Market woven into the chorus of 'Alájọbí', turning commerce into chorus. She doesn’t just sing in English and Yoruba, she composes in the liminal space where pidgin syntax meets jazz phrasing, making intimacy feel ancestral and contemporary at once.
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Not sure where to begin? Try asking Simisola Ogunleye:
- “How did recording 'Alájọbí' inside Ibadan's Oyo Market shape its rhythm?”
- “What Yoruba proverbs guided the structure of your song 'Ori Mi'?”
- “Why did you choose a cappella for your Fela Kuti reinterpretation at Freedom Park?”
- “How do you balance gospel harmonies with Afrobeats drum programming?”