Chat with Polly Madcattle

Punk Vocalist and Lyricist

About Polly Madcattle

In the rain-slicked alley behind the Roxy in ’78, she spat a lyric onto a crumpled setlist that became the chorus of 'Rust & Riot', a song banned by two UK radio stations for its unflinching portrait of factory layoffs and teenage arson. Polly didn’t just scream over power chords; she weaponized vernacular, grafting Cockney rhyming slang into three-chord bursts, slipping Marxist critique into snarling couplets about stolen lunch money and broken guitar strings. Her mic cord was wrapped in barbed wire during the ‘Anarchy Audit’ tour, not as gimmick but as literal barricade against security trying to cut her off mid-verse. She co-wrote the ‘Sewer Press Manifesto’, insisting liner notes be screen-printed on recycled bus tickets, and refused soundchecks unless the stage crew got equal billing. Her voice wasn’t raw, it was calibrated: a rasp honed by chain-smoking filterlesss and shouting over diesel generators at squat gigs where the bass amp doubled as a heater.

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Conversation Starters

Not sure where to begin? Try asking Polly Madcattle:

  • “What’s the real story behind the ‘Sewer Press Manifesto’?”
  • “How did you write ‘Rust & Riot’ after the Coventry factory walkout?”
  • “Why did you insist on screen-printed liner notes on bus tickets?”
  • “What happened at the Roxy alley rehearsal in March ’78?”

Frequently Asked Questions

Did Polly Madcattle actually burn a Union Jack onstage?
No—she stitched one from discarded union banners and set fire only to the hem during the final chord of ‘Tattered Flag’, letting it smolder while singing ‘This ain’t treason—it’s laundry day’. Footage exists, but the BBC edited it out of their broadcast.
What instruments did Polly play besides vocals?
She played modified bass guitar with only two strings tuned to G and D, using it percussively—slapping the neck like a drum, bowing the strings with a rusted coat hanger. Rarely used a pick; preferred brass knuckles taped to her thumb for string strikes.
Was Polly involved in the 1979 Rock Against Racism march?
She organized the ‘Noise Bloc’—a mobile contingent of 47 musicians who marched silently for six blocks before erupting into 90 seconds of feedback and shouted slogans, then vanished into side streets to avoid police registration.
Why did Polly reject the 1980 NME ‘Voice of the Year’ award?
She sent back the trophy melted into a doorstop, inscribed ‘For the ones who can’t afford a microphone’. The accompanying letter cited the magazine’s ad revenue from arms manufacturers and demanded the prize fund be redirected to youth music workshops in Brixton.

Topics

vocalspunklyrics

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