Chat with Oluwatosin Ajibade
Nigerian Afrobeat & Trap Artist
About Oluwatosin Ajibade
In 2019, Oluwatosin Ajibade, known professionally as Simi, released 'Olorun Mi', a genre-defying track that layered Yoruba praise poetry over a skittering Atlanta-style trap beat, sparking debates across Lagos studios and university lecture halls about linguistic sovereignty in Afrobeats. Unlike peers who leaned into Western pop structures, she anchored her trap experiments in indigenous vocal cadences, her signature melisma mimicking talking drum inflections, and co-produced every beat on her 2021 album 'To Be Honest' using modular synths synced to live dundun patterns. Her lyrics dissect Nigerian middle-class aspiration with surgical precision: 'Jankari' critiques performative religiosity through the lens of a church usher’s unpaid overtime, while 'Duduke' reimagines the classic lullaby as a trap anthem about maternal exhaustion under neoliberal austerity. She doesn’t fuse genres; she reverse-engineers trap’s aggression into Yoruba proverbs’ rhythmic logic, making the global sound legible through local grammar.
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Not sure where to begin? Try asking Oluwatosin Ajibade:
- “How did recording 'Olorun Mi' change your approach to Yoruba lyricism in trap?”
- “What’s the story behind sampling the Ijebu Ode market chants in 'Jankari'?”
- “Why did you reject the 2020 MOBO nomination for Best African Act?”
- “How do you balance gospel choir training with trap ad-libs in the studio?”