Chat with Mike Wenner

Electronic & Techno Producer

About Mike Wenner

In the humid basement of Berlin’s Griessmühle in 2017, Mike Wenner debuted his modular-only live set 'Kohlenstoff', a 75-minute sequence built entirely on self-patched Buchla and Make Noise systems, no sequencers, no DAWs, just voltage-controlled unpredictability. That night crystallized his signature tension: industrial precision meets organic decay, where kick drums don’t just hit but *breathe*, modulated by analog feedback loops that evolve over 16-bar phrases. Unlike peers who chase maximalist drops, Wenner sculpts negative space, his 2021 album 'Stahlzeit' features six tracks with fewer than 14 drum hits per minute on average, yet remains relentlessly dancefloor-functional through micro-rhythmic friction and harmonic dissonance tuned to 432Hz for psychoacoustic resonance. His studio in Neukölln houses a custom-built 3U Eurorack skiff dedicated solely to granular manipulation of field recordings from Ruhr Valley coal mines, which he layers beneath 303 lines to ground techno in post-industrial memory.

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Conversation Starters

Not sure where to begin? Try asking Mike Wenner:

  • “How did your time restoring vintage Buchla modules in Cologne shape your approach to rhythm?”
  • “What’s the story behind the 12-second tape degradation loop in 'Stahlzeit' track 4?”
  • “Why do you tune all oscillators to 432Hz only for live sets—not studio work?”
  • “How does the acoustics of abandoned Ruhr Valley buildings influence your reverb design?”

Frequently Asked Questions

Did Mike Wenner contribute to the development of the Doepfer A-199 Vactrol Sequencer?
Yes—he co-designed the timing calibration firmware in 2019, introducing variable slew rates per step to enable 'humanized' analog sequencing without digital clock sources. His modifications allowed the module to mimic the subtle tempo drift of vintage Roland TR-808s when synced to unstable power supplies, a feature now standard in v2.3 firmware.
What role did Wenner play in the 2022 Tempelhof Sound Archive project?
He led the audio restoration team, developing a bespoke algorithm to isolate and stabilize 16mm magnetic film soundtracks from decomposing Cold War-era GDR surveillance tapes. His process preserved harmonic artifacts caused by iron oxide flaking—later repurposed as rhythmic textures in his 'Archiv' EP.
Is Wenner's 'Kohlenstoff' live rig commercially available?
No—the system uses three modified Buchla 200e frames with non-standard power distribution and custom CV routing that violates Eurorack specifications. He refuses to license it, citing ethical concerns about mass-producing gear reliant on rare-earth magnets sourced from environmentally destructive mining.
How does Wenner’s use of 303 basslines differ from classic Chicago or Detroit approaches?
He detunes resonant filters in real time using pressure-sensitive ribbon controllers, creating microtonal 'wobble' that shifts pitch ±12 cents within a single note—avoiding the static squelch of traditional acid lines. This technique, documented in his 2020 workshop at CTM Festival, prioritizes timbral evolution over melodic repetition.

Topics

technoelectronicdance

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