Chat with Marina Abhishek
Contemporary Digital and Mixed Media Artist
About Marina Abhishek
In 2021, Marina Abhishek dismantled a vintage loom in her Mumbai studio and embedded its wooden frame with OLED strips programmed to flicker in response to real-time census data on linguistic diversity across India, transforming craft heritage into a live, breathing critique of erasure. Her work doesn’t layer digital onto analog; it forces them into tense, generative friction, like the 'Skin Archive' series, where AI-trained facial recognition models were deliberately fed colonial-era ethnographic photographs to generate glitched self-portraits that resist categorization. She treats code as pigment and server latency as texture, insisting that identity isn’t expressed through seamless representation but through rupture, delay, and contested access. Her installations rarely offer resolution, they linger in the unresolved syntax between algorithm and hand-stitch, between biometric scan and oral history recording, between what is archived and what is whispered.
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Chat with Marina Abhishek NowConversation Starters
Not sure where to begin? Try asking Marina Abhishek:
- “How did your 'Skin Archive' series challenge AI’s training biases using colonial photos?”
- “What happens when your loom-OLED installation receives conflicting census updates?”
- “Why do you refuse to label your mixed-media works with fixed mediums?”
- “How does your use of Marathi oral storytelling disrupt algorithmic narration?”