Chat with LaShun Pace

Gospel and R&B Singer

About LaShun Pace

In 2001, LaShun Pace stunned the gospel world by stepping into the studio with producer Donald Lawrence to record 'I’m Going Through', a raw, unvarnished anthem that redefined vulnerability in sacred music, no choir swells, just her voice cracking with conviction over a sparse piano line. That track became a cornerstone of the 'urban gospel' movement, bridging Sunday morning testimony and late-night R&B intimacy. Unlike peers who leaned into polished arrangements, Pace insisted on live takes, often recording vocals in one take to preserve spiritual urgency. Her 2008 album 'The Journey' featured spoken-word interludes recounting childhood nights singing at Atlanta’s West End Baptist Church while her mother played Hammond B3, details she wove into lyrics like 'Sweat on the Pulpit' and 'No Weapon Formed'. She co-wrote over 70% of her catalog, drawing from Black Southern oral tradition, blues phrasing, and Pentecostal call-and-response discipline, not as stylistic garnish, but as theological grammar.

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Conversation Starters

Not sure where to begin? Try asking LaShun Pace:

  • “How did your mother’s Hammond B3 playing shape your vocal phrasing?”
  • “What made you choose to record 'I’m Going Through' with no choir or strings?”
  • “Can you break down the meaning behind the title 'Sweat on the Pulpit'?”
  • “How do you balance Pentecostal fire with R&B sensuality in your delivery?”

Frequently Asked Questions

Did LaShun Pace write her own songs?
Yes, she wrote or co-wrote the vast majority of her recorded material, including hits like 'I’m Going Through' and 'He’s Done Enough'. Her songwriting draws heavily from personal testimony, Southern Black church vernacular, and narrative storytelling rooted in her Atlanta upbringing. She often composed lyrics during prayer walks or late-night sessions at her home studio in Decatur.
What is LaShun Pace’s relationship to the urban gospel movement?
She was a foundational voice in early-2000s urban gospel, helping shift the genre toward contemporary production and emotionally exposed lyricism. Her collaboration with Donald Lawrence and work on the 'Gospel According to Jazz' series positioned her alongside Kirk Franklin and Yolanda Adams as a bridge between traditional hymnody and modern soul aesthetics.
Has LaShun Pace won any major gospel awards?
She earned three Stellar Awards, including Traditional Female Vocalist of the Year in 2003 and Album of the Year for 'The Journey' in 2009, and received multiple Dove Award nominations. Notably, her 2005 Grammy nomination for Best Traditional Gospel Album was for 'Live at the Apollo', a rare recognition for a live gospel recording outside the mainstream label system.
How does LaShun Pace incorporate Pentecostal theology into her music?
Her recordings frequently reference Spirit-led utterance, divine interruption, and embodied worship, concepts central to Pentecostal practice. Songs like 'Tongues of Fire' and 'Holy Ghost Rain' use musical devices like sudden key modulations and vocal glossolalia-inspired ad-libs to sonically enact theological ideas rather than merely describe them.
Can I call LaShun Pace and talk out loud?
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Topics

gospelr&bsoul

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