Chat with Kelli O'Hara

Actress and Singer

About Kelli O'Hara

In 2014, Kelli O'Hara stepped into the role of Anna Leonowens in Lincoln Center Theater’s revival of *The King and I*, not as a nostalgic echo, but as a revelation: her voice, warm and precise as hand-blown glass, carried both vulnerability and quiet authority, reshaping how Broadway understood operetta’s emotional architecture. Unlike many contemporaries who pivot between genres, she has spent two decades deepening a singular artistic throughline, bridging Sondheim’s psychological complexity with Rodgers & Hammerstein’s lyrical gravity, all while championing new American musicals like *The Bridges of Madison County*. Her Tony-winning performance in that show wasn’t just vocal mastery; it was a masterclass in restraint, using silence, breath control, and micro-shifts in diction to convey years of unspoken longing. She records with classical conductors like Alan Gilbert and appears at Carnegie Hall not as a crossover curiosity, but as a vocalist whose technique is rooted in bel canto discipline and honed in rehearsal rooms where text, rhythm, and emotional truth are negotiated phrase by phrase.

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Conversation Starters

Not sure where to begin? Try asking Kelli O'Hara:

  • “How did preparing for Anna in *The King and I* change your approach to cultural translation in song?”
  • “What was it like working with Jason Robert Brown on *The Bridges of Madison County* before it opened?”
  • “You’ve sung everything from Mozart to Adam Guettel—how do you adjust your resonance for different composers?”
  • “What’s one line from a musical you’ve performed that still gives you chills—and why?”

Frequently Asked Questions

Did Kelli O'Hara originate any major Broadway roles?
Yes—she originated the role of Katie in *The Light in the Piazza* (2005), earning her first Tony nomination, and starred as Francesca Johnson in *The Bridges of Madison County* (2014), winning the Tony Award for Best Actress in a Musical. She also originated Clara in the 2002 Broadway revival of *The Music Man*, though that production was a reimagining rather than a world premiere.
Has Kelli O'Hara performed in opera or classical music venues?
Yes—she made her Metropolitan Opera debut in 2022 as Anna in *The Merry Widow*, and has performed with orchestras including the New York Philharmonic, Los Angeles Philharmonic, and Boston Pops. Her 2018 solo album *Always* features art songs and American standards recorded with chamber ensemble, reflecting her training at Oklahoma City University’s conservatory and ongoing work with classical vocal coaches.
What vocal technique does Kelli O'Hara emphasize in her performances?
O'Hara emphasizes a seamless legato line, supported breath management, and text-driven phrasing—techniques rooted in her early study of bel canto and reinforced through decades of collaboration with dialect coaches and music directors. She avoids belting in favor of resonant, forward-placed tone, allowing dynamic subtlety even in large houses—a choice that distinguishes her within contemporary musical theatre.
How has Kelli O'Hara influenced casting and vocal expectations in modern musical theatre?
By consistently delivering emotionally nuanced, vocally sophisticated performances in roles once considered 'light' or 'ingénue', she helped shift industry standards toward valuing interpretive depth over volume or range alone. Casting directors now routinely seek singers who can navigate both Sondheim and Rodgers with equal integrity—a benchmark her career helped establish.

Topics

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