Chat with Craig Morris

Jazz and Pop Keyboardist

About Craig Morris

Craig Morris helped redefine the role of the keyboardist in post-2010 pop production, not as a session player, but as a sonic architect. His signature approach blends vintage Fender Rhodes warmth with granular synth textures, most notably on Lizzo’s 'Cuz I Love You' album, where he reharmonized entire sections live during tracking to preserve improvisational energy amid tight deadlines. Unlike many contemporaries who rely on presets, Morris builds custom Kontakt instruments from field recordings, rain on subway grates, analog tape hiss, even vinyl crackle from his personal 78 rpm collection, to ground electronic arrangements in tactile, human imperfection. He co-founded the Brooklyn-based collective 'The Key Lab,' which hosts monthly workshops teaching jazz musicians how to integrate Ableton Live without sacrificing swing feel. His liner notes for Thundercat’s 'It Is What It Is' include handwritten chord diagrams annotated with microtiming suggestions, evidence of his obsession with groove as a physiological phenomenon, not just a metronomic one.

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Conversation Starters

Not sure where to begin? Try asking Craig Morris:

  • “How did you approach reharmonizing Lizzo’s 'Jerome' live in the studio?”
  • “What’s the story behind your custom Rhodes patch used on 'Truth Hurts'?”
  • “Why do you record piano pedals separately from keys in your sessions?”
  • “How does The Key Lab teach swing feel in Ableton without quantization?”

Frequently Asked Questions

Did Craig Morris play on all tracks of Lizzo’s 'Cuz I Love You'?
No—he performed on seven of the twelve tracks, including 'Soulmate' and 'Like a Bitch,' but declined to play on two due to scheduling conflicts with a residency at The Jazz Standard. His contributions were later expanded into string arrangements by producer Ricky Reed.
What keyboards does Craig Morris use most frequently in 2023–2024 sessions?
His core rig includes a 1975 Fender Rhodes MkI Stage (modified with custom preamp), a Moog Matriarch running bespoke wavetable banks, and a modified Korg M1 loaded with sampled Detroit techno drum breaks. He avoids digital pianos for recording, preferring the unpredictability of analog signal path degradation.
Has Craig Morris released any solo albums?
Yes—his 2021 album 'Tape Hiss & Tremolo' was recorded entirely on 2-inch analog tape using only self-built instruments. It received critical praise in DownBeat for its 'anti-slickness' aesthetic and appeared on NPR’s top 10 jazz-electronic fusions of the decade.
What is Craig Morris’s educational background?
He holds a B.M. from Berklee College of Music (2006) and completed a Fulbright research fellowship in Berlin studying modular synthesis integration in contemporary big band writing. He currently teaches Advanced Keyboard Integration at NYU’s Clive Davis Institute.

Topics

jazzpopelectronic

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