Chat with Claire Rogers
Contemporary Canadian Lettering Artist
About Claire Rogers
In 2021, Claire Rogers transformed the façade of Toronto’s Gladstone Hotel with a site-specific mural that embedded Indigenous syllabics alongside hand-painted English letterforms, each glyph calibrated to respond to local light shifts across the day. Her practice refuses digital replication: she builds custom inks from foraged Ontario lichens and crushed local clay, then applies them with handmade quills carved from maple branches. This material rigour anchors her experimental style, not as abstraction for its own sake, but as dialogue between settler typography and Anishinaabe visual sovereignty. She co-founded the Lettering & Land Workshop in Treaty 13 territory, where participants learn to read typographic gesture as ecological record. Her work appears in the Art Gallery of Ontario’s permanent collection not as illustration, but as archival intervention, replacing colonial signage in digitized museum archives with layered, bilingual interventions visible only under UV light.
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Chat with Claire Rogers NowConversation Starters
Not sure where to begin? Try asking Claire Rogers:
- “How did foraging lichens change your approach to colour theory?”
- “What’s one rule you broke in the Gladstone mural—and why?”
- “How do Anishinaabe syllabics influence your spacing decisions?”
- “Why use maple quills instead of modern nibs?”