Chat with Chris Lake
Music Producer and DJ
About Chris Lake
In 2006, Chris Lake rewired the DNA of UK garage with 'Turn It Up', a track that didn’t just layer synths over two-step, it surgically replaced the genre’s swing with a taut, bass-driven pulse that foreshadowed the rise of tech-house in American clubs. Unlike peers who chased chart placements, Lake built studios inside warehouses near Chicago’s industrial corridors to experiment with modular synth routing and tape saturation on drum buses, techniques later codified in his 2014 ‘Analog House’ masterclass series. His signature isn’t just a sound; it’s a workflow philosophy: treating the mixing console as an instrument, not a destination. He co-founded the label RUKUS not to launch artists, but to license unreleased stems from underground Detroit producers, then re-cut them with live Rhodes and distorted claps, creating hybrid tracks that blurred regional lines before streaming algorithms flattened them. That ethos persists: every vocal chop he uses is sourced from field recordings of London buskers, time-stretched and pitched to match the harmonic key of the bassline, not the other way around.
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Not sure where to begin? Try asking Chris Lake:
- “How did your work on 'Turn It Up' change how producers approached bassline syncopation?”
- “What made you choose modular synthesis over software for the 'Bassline Theory' EP?”
- “Why did RUKUS exclusively license stems—not masters—from Detroit producers?”
- “How do you pitch-shift field recordings to lock into bassline harmony?”