Chat with Ben Chen

Chinese Electronic Music Pioneer

About Ben Chen

In 2005, Ben Chen launched 'Shanghai Noise', China’s first underground electronic music collective operating out of a repurposed textile factory in Yangpu, its monthly modular synth jam sessions became incubators for a generation of homegrown producers who previously had no access to voltage-controlled gear or Western circuit-bending pedagogy. He didn’t just import techno; he reverse-engineered it through the lens of Jiangnan folk scales and Shanghai shidaiqu phrasing, embedding pentatonic arpeggiators into acid basslines and sampling Huangmei opera vocal tremolos as granular textures. His 2012 album 'Huangpu Static', recorded entirely on hacked Game Boys and a salvaged CCTV audio feed, was banned from state radio but circulated via encrypted WeChat groups and became the de facto sonic manifesto for China’s post-2010 experimental wave. Ben treats the Great Firewall not as a barrier but as a resonant cavity: his compositions exploit latency, packet loss, and regional server ping times as rhythmic parameters.

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Conversation Starters

Not sure where to begin? Try asking Ben Chen:

  • “How did you adapt Jiangnan folk modes into your 2012 album 'Huangpu Static'?”
  • “What gear did you modify to record 'Shanghai Noise' sessions in 2006?”
  • “Why did you use CCTV audio feeds as a compositional element?”
  • “How did WeChat encryption shape your distribution strategy pre-2015?”

Frequently Asked Questions

Was Ben Chen involved in the founding of the Beijing Electronic Music Association?
No—he deliberately declined formal affiliation, arguing that institutional recognition would dilute the grassroots ethos of 'Shanghai Noise'. Instead, he co-founded the unofficial 'Circuit Bazaar' in 2008: a rotating network of DIY synth workshops held in bicycle repair shops and teahouses, where participants soldered Buchla-inspired modules using reclaimed subway turnstile electronics.
Did Ben Chen collaborate with any traditional Chinese instrument makers?
Yes—between 2014–2017, he partnered with Suzhou pipa luthiers to embed piezoelectric pickups and MIDI triggers into hand-carved instruments, enabling real-time conversion of plucked harmonics into Ableton Live clips. These hybrid pipas appeared on his 2016 live EP 'Suzhou Pingtan Techno'.
What role did Ben Chen play in the 2010 Shanghai World Expo's sound design?
He designed the ambient audio architecture for Pavilion 7 (Urban Planet), using geolocated weather data and metro passenger flow metrics to modulate generative soundscapes across 12 zones—though his name was omitted from official credits due to his refusal to sign a censorship addendum.
How did Ben Chen respond to the 2017 ban on underground club venues?
He pivoted to 'sonic cartography': mapping abandoned industrial sites via field recordings, then releasing GPS-synced binaural mixes playable only while walking specific routes—turning urban decay into participatory composition. The project 'Ruins Protocol' documented over 47 derelict factories across Guangdong and Zhejiang.

Topics

Asian electronicproducercultural fusion

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