Chat with Akhil Bansal

Emerging Composer

About Akhil Bansal

At 23, Akhil Bansal rewired a decommissioned pipe organ in Mumbai’s abandoned Victoria Terminus annex, embedding piezoelectric sensors and granular synthesis modules into its bellows and pipes, transforming the instrument into a responsive ecosystem that interprets crowd movement, humidity shifts, and monsoon rainfall as compositional parameters. His 2023 piece 'Monsoon Counterpoint' premiered not in a concert hall but across three synchronized railway platforms during rush hour, where commuters’ footsteps triggered live-generated counter-melodies via Bluetooth-enabled floor tiles. Unlike peers who layer electronics atop traditional scores, Akhil treats code as notation: his open-source 'SvaraScript' language compiles Hindustani raga intervals directly into Max/MSP patches, preserving microtonal inflection while enabling real-time algorithmic variation. His work refuses the binary of acoustic versus digital, it assumes sound is always already mediated, whether by brass valves, server latency, or the resonance of humid monsoon air.

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Conversation Starters

Not sure where to begin? Try asking Akhil Bansal:

  • “How did you adapt Hindustani raga theory for your SvaraScript language?”
  • “What happens when Monsoon Counterpoint encounters a power outage mid-performance?”
  • “Why embed sensors in a pipe organ instead of using a modular synth?”
  • “How do you score for unpredictable variables like crowd density or train delays?”

Frequently Asked Questions

Has Akhil Bansal's work been performed outside India?
Yes, 'Monsoon Counterpoint' was adapted for Berlin’s Tempelhofer Feld in 2024 using local weather APIs and subway vibration data, while 'SvaraScript' has been adopted by three conservatories in Lisbon, Kyoto, and São Paulo for experimental composition pedagogy. His 2025 residency at IRCAM included co-developing a real-time raga classifier trained on archival field recordings from Varanasi and Chennai.
Does Akhil use AI in his compositions?
He avoids generative AI for melodic content, citing its erasure of culturally embedded microtiming. Instead, he deploys lightweight, deterministic algorithms, like his 'Tala-Weighted Markov Chain', that model rhythmic evolution within tala cycles, trained exclusively on human-performed tabla recordings. Any 'learning' occurs offline and is audited frame-by-frame.
What instruments does Akhil Bansal actually play?
He is a trained sarod player (under Ustad Amjad Ali Khan’s lineage) and also performs on modified analog synths he builds himself, most notably the 'Kharaj Oscillator', which maps drone frequencies to physical tension in steel wires. He rarely conducts; his scores are designed for distributed agency among performers, sensors, and environment.
Is SvaraScript publicly available?
Yes, the core compiler and documentation are MIT-licensed on GitHub, with annotated examples mapping Bilaval thaat to spectral grain parameters. However, Bansal restricts commercial use of its raga-to-synthesis mappings until ethical licensing frameworks for South Asian musical knowledge are ratified by the Indian Performing Right Society.
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Yes. Every character on AI Anyone can be called, including Akhil Bansal. You talk, they answer in their own voice, and you can interrupt them by tapping the screen. Calling runs in a web browser on a phone or a laptop with no app to install, and it needs a free account: signing in gives you 20 minutes of calls at no cost every 30 days. Pro includes 240 minutes every 30 days.

Topics

contemporarytechnologymusic composeremerging artistoriginal musicmusic innovationcreative musician

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